Barcelona Testing: Day 2

 

 

//The following is a featured article from guest contributor Jamey Price, Jamey Price Photography, an American sports photojournalist on his first Formula 1 project.  You can read more about Jamey and his passion for his work in our feature: Intro to an American F1 Photojournalist - Jamey Price.

Feb 22, 2012

There's nothing like the sound and smell of formula one engines in the morning. It's such a distinct smell and absolutely a distinct smell. Hear it once and you'll never forget.

After getting my kit set up in the press room, I headed to the roof of the media centre, which runs the entire length of the pits and over looks the front stretch. With a few minutes left on the clock before the first of two sessions started, I took some time to look around and survey the countryside from the roof top vantage. Rolling Spanish hills surround the circuit. It is a gorgeous place to spend a day, much less four. I'm incredibly lucky to be where I am.

For the first sessions, I chased the light around the track looking for the best spots to shoot from. Eventually walking most of the corners on the outside access road. It's a haul and a grueling few hours on your feet carrying that much gear. Some of my morning was spent shooting turns 1, 2 and 3. Though not knowing most of the lap times, it is evident by the way the car looks sounds and feels to the naked eye who is fast and who is not. Red Bull is blindingly quick. As is McLaren. Ferrari looks to have a strong car, but a difficult one to handle. Alonso was struggling with it through most of the first sector.

My day wrapped up covering the last sector. The light is gorgeous at that time of day and I had to take advantage of it with most of the drivers being replaced by their teammates tomorrow.

I'm still in heaven being here and covering this test. I've worked for so hard and for so long that it's been a dream come true in so many ways....and I have two more days to cover!"

Barcelona Testing: Day 1

//The following is a featured article from guest contributor Jamey Price, Jamey Price Photography, an American sports photojournalist on his first Formula 1 project.  You can read more about Jamey and his passion for his work in our feature: Intro to an American F1 Photojournalist - Jamey Price.

Feb 21, 2012

After a long travel day Sunday and Monday, I finally arrived in the sleepy town of Montmeló which lies just north of Barcelona. With the sound of Fleetwood Mac's "The Chain" playing in my dreams, I woke bright and early to pick up media credentials and get to the press centre Tuesday morning.

Mercedes launched it's 2012 contender close to 830a. Dubbed the W03, which like most of its competitors has the unique 2012 spec "broken nose" look. Despite early hesitations, they don't look as bad in real life. And thankfully the cars still sound tremendous.

After the Mercedes launch, where Michael and Nico arrived in the new AMG Mercedes, I headed to the end of the pitlane to shoot pit exit photos.

Now, contrary to what you may have ever read on other F1 blogs, the business of F1 photography is neither cushy nor easy. Though being a diehard F1 fan myself, it is a long hard days work with nearly no break and no food or drink and as I write this, I'm completely exhausted. If you're doing your job right, you simply won't have time for anything but picture making. I walked the inside and outside perimeter of the track twice today looking for photo spots I found pleasing and engaging to viewers, and as always, looking for the best light and maybe something unique.

The 2012 spec cars, though unique looking, are still very much F1 cars. It is still and incredible sight and sound to see a modern F1 car power away from the pitlane. One moment they sit in front of you a roaring machine ready to release its energy. The next, it's several hundred yards away and seeming only got there in the bling of an eye. It's something that photos not video can properly convey. You'll simply have to experience it for yourself in Austin this November.

My day wrapped up shooting the cars coming into the last 3 turns. The light was stunning and I seemed to be the only photographer in sight. I have no idea why. Following the last session of the day, I joined the World champions for a few minutes of pitstop practice before retuning to the media centre to upload the last batch of photos from the day.

Tomorrow's challenge will be doing something different than today. I don't like seeing myself take the same images but I have a few tricks of my sleeve. Well see if it works.

Intro to an American F1 Photojournalist - Jamey Price

When is a photograph more than a photograph? When it falls in the category of photojournalism.

Photojournalism is different from photography in that it “complies with a rigid ethical framework which demands that the work is both honest and impartial whilst telling the story in strictly journalistic terms.” If a single photograph can be equated to a single paint color, then photojournalism is the art of turning singular photographs into a Monet or a Van Gogh. Photojournalists create pictures that contribute to the news media. It is possible then, that the short definition of photojournalism is simple: A picture is worth a thousand words.

On that note, we’ll spare you our words and spend the next few days transporting you to Barcelona, Spain for Formula 1’s second round of testing. The expedition will be lead by one of America’s most promising professional sports photojournalists, Jamey Price.

Jamey Price, PhotojournalistJamey was born and raised in Charlotte, North Carolina – which is obviously no stranger to auto racing, as it is nestled deep in the heart of NASCAR country. A self taught photographer and experienced athlete, Jamey attended Centre College in Danville, Kentucky, where he competed as a varsity swimmer all four years. Upon graduation, he moved to the United Kingdom to broaden his horizons and expand his professional experience on the international scene. Back in Charlotte, Jamey now competes “in the occasional triathlon” (just a walk in the park, eh?) and can frequently be found on the back of a race horse as a steeplechase horse racing jockey.

What about the other type of horsepower, the kind with four wheels? Jamey’s deep passion for covering racing has taken him from photographing lawn mower racing and grass roots dirt tracks all the way up to NASCAR, Indycar, American Le Mans and Formula One. Jamey’s award winning work has been featured around the globe in print and online publications such as Sports Illustrated, F1 Racing Magazine, Southern Living, The Racing Post, Autosport and the Charlotte Observer, to name a few.

With over 40 races and 11 wins to Jamey’s riding career, he adds:

I am no stranger to the highs and lows of life as an athlete and the pressures to produce results.

We hope you enjoy the highs and lows of testing from Jamey as he sends us his stories from Barcelona this week.

Taking It To The Airwaves

Last week we had the pleasure of joining Alex Franco, a.k.a Digitz from the Mix 94.7 JB & Sandy morning show, to talk about Formula 1 and Austin on "3 Guys Sports Show."

// Listen to the show here

 

The 3 Guys Sports Show airs at 10:00AM Sunday mornings on Austin's 96.3 FM & 1370 AM. Our UK friend Liam gave us the heads up that fellow overseas listeners could tune in via KJCE 1370 on the TuneIn Radio app (Cheers!). The show is hosted by Alex, Brandon Wark (Iowa Hawkeye Superfan) & Chris Sanchez (Pride of Westwood High) and their goal is to recap the week in sports with the heart, passion and views of the everyday sports fan and share them on their show.

We met Alex back in August 2011 at the Austin Infiniti dealership (he's their Radio Spokesperson) when the Red Bull Racing demo car arrived in Austin. While a decent-sized group waited at the dealership, curious Austinites tweeted reports of the 2005 RB1 chassis (with the Cosworth V10 and the 2009 aero package) travelling down Austin's main highway - MoPac - and shocking many Austinites! Since then, we've run into Alex on the F1 social scene as he is another Austinite excited and informed about F1's arrival this November.

Alex had a very cool Red Bull Racing jacket (see pic below). He shared an insider tip that we think is genius: he ordered F1 merchandise from Red Bull Racing via Milton Keynes but his order took almost a month to arrive. He gave up and decided to check out the Infiniti USA website, which is where he ended up ordering his RBR jacket from; it arrived much quicker, cheaper and in better condition by ordering via Infiniti USA. Here's the Infiniti page for ordering official Red Bull Racing merchandise.

Be sure to check out the 3 Guys Sports Show via their website, Facebook page or follow them on Twitter

Alex Franco, aka "Digitz," sporting his Red Bull Racing jacket after recording with Kerri and Kevin for 3 Guys Sports Show on Talk Radio 1370

VIDEO: February Construction Update

The Statesman has been on top of construction updates at Circuit of The Americas for February, so we thought we'd revisit the location of our first video shot in Elroy so you can see the progress made in the past year.

Many, many thanks to everyone who supported us for a Social Media Award from Austin's largest newspaper, the Austin American-Statesman. For those of you wondering what F1 in Austin has to do with social media, hopefully this background helps:

The Austin Grand Prix utilizes social media to connect with motorsport fans around the world. Our goal is simple: to help people connect with F1™.

Via independent analysis and on-location accessibility, we're able to deliver insight that translates into conversations with local and international fans, consumers, business owners, industry players and motorsports media. We take the conversation past blogging and into real-time dialogue via daily updates on Twitter. We engage with curious fans via high-quality picture and content sharing on Facebook and deliver unique video content via our Vimeo channel. We launched our COME AND RACE IT e-commerce site to build our brand responsibly and we aim to consistently embrace the latest social media tools, such as Pinterest and Tumblr.

Ultimately, technology is about connecting. Social media is The Austin Grand Prix’s tool to enhance the connection between a sport and its fans. We understand that Formula 1 is the most technologically advanced sport and it’s coming to one of the most technologically advanced cities in the world: Austin, Texas. As Kerri explains, “It’s about a culture that breeds innovation and technology and we're really lucky to have this in such a forward thinking city. I think it's a perfect partnership.”

Because we share a deep passion for our hometown, The Austin Grand Prix also serves as a platform for education and interaction within the city of Austin. We support responsible and sustainable growth for Austin while helping fans around the world learn more about this amazing city. While excitement continues to build for an Austin F1 race in November, The Austin Grand Prix will continue to help novice and intermediate racing fans alike to connect with a technology-fueled sport.

We'll share the results of the nomination process as soon as we receive further details.

A giant Texas-sized THANK YOU for your continual support!

PJ Tierney: How an Artist Interprets F1

"India" Formula 1 Poster Series by PJ TierneyI can't recall exactly how I came across PJ Tierney’s 2011 Formula 1™ Poster Series; it’s almost as if they’ve been a part of my memory for some time. When I started pinning F1 items on Pinterest, I knew I wanted to include his work. I remembered seeing his set of posters for the 2011 Formula 1 World Championship season – India was my favorite – and with a little digging I was able to attribute him to the original design and discovered his website – www.PJTierney.net.

Seeing that we’re just about one month away from the 2012 season, I reached out to PJ to learn more about his inspiration and his plans for 2012. Also, I thought that fans of his work, including many American racing fans, would like to know if there are plans for an F1 poster for the USA. Great news folks: PJ’s online store is launching today.

PJ resides in Ireland and graduated from Limerick School of Art and Design in 2010 with a degree in Sculpture & Combined Media. For the majority of his four years at Limerick his work focused on video games, as that's his major pastime when he’s not working on projects. It was there that he first came across the Adobe Creative Suite, and he spent every spare minute he had in the Multimedia Rooms playing on Photoshop and Illustrator. As of now he’s working from home, just outside of Limerick city (in the West of Ireland). PJ works freelance which allows him to take on projects from clients when they need them and work on personal projects, like the F1 series. He’s also an avid blogger and player of the Yu-Gi-Oh! Trading Card Game, having worked with the game's distributors (Konami) on various projects: writing for their official strategy site, working as a member of the European coverage team and providing live updates from events in places like Paris, Milan and Amsterdam. 

PJ Tierney

As far as his design style goes, PJ likes to keep things clean and organized, and always tries to take the minor details into consideration. It's not unusual for him to be working on (Adobe) Illustrator with the canvas zoomed in to over 500% in order to make sure everything's in the right place. He continues:

“I was never a fan of clutter and when I was earning my degree I hated getting my hands messy with paints and so-on, which lead to me moving to digital art. That being said I don't feel that I have one particular "style," as limiting oneself to one way of working can get boring after a while. I like to try out different things to keep the interest levels up, be it a vector illustration, some basic 3D work or whatever else springs to mind.”

PJ draws inspiration from a wide variety of things. He’s active on Twitter and works to surround himself with fellow designers and artists everyday. He says, “It's good to see what projects they're working on, what they think of the work that's out there and so-on. That keeps me in the mindset of making things and is a great motivator.” PJ also checks in with a daily digest of design sites, often spending 30 minutes or so looking through them all at once. Sites like Abduzeedo, Signalnoise, From Up North, Other Focus and My Modern Metropolis are constantly updated, offering inspiration everyday from what others are making.

So why has PJ focused on F1? He says it’s hard to pinpoint one single thing: he loves the shape of the cars, the noise, the “sheer speed they can take corners at, all of that.” There's also the drama off the track, the stories you hear about drivers and teams (“though the whole Lotus v Lotus thing felt a bit ridiculous”), the technical innovations and the general spectacle of it all:

“When you watch a Grand Prix weekend from start to finish you really get a sense that this is a grand occasion, that the whole world is watching, and it happens 20 times a year.”

Why F1 and not something else? It could simply be because he grew up with it. PJ’s first F1 memory was seeing Martin Brundle's Jordan fly upside down into a gravel trap at Melbourne 1996, and he’s a big fan of Michael Schumacher and the way he approaches races.

Having an Irish team in the sport at the time helped, and when Jordan started winning in 1998 and 1999 he was glued to his TV set, even in the middle of the night to catch the Asian races – a sentiment the die-hard American racing fans can definitely relate to. He also says that it helps that F1 is more accessible than other forms of motorsport, though he plans on watching a few more special events this year like LeMans and the Nürburgring 24 Hours. PJ watched the Indy 500 (online) for the first time last year and notes “it was an exciting experience (shame about Hildebrand though, he was so close).”

Vintage Monaco Grand Prix automobile Ferrari racing 1933 advertising poster, by George Ham

 I was curious if PJ was inspired by the iconic 1930’s Monaco racing posters, put he explains there were many things that influenced his F1 poster series: the vintage racing posters is certainly one of those, as he loves the illustrative style of them, backed up by powerful lettering. PJ explains:

 “One of the main influences in the layout of the original F1 poster series (2011) was actually the F1 2010 video game by Codemasters. That game's user interface had a very powerful usage of DIN Pro, the typeface you see across all the official Formula 1 graphics.”

Outside of motorsport he’s a big fan of the work of James White, and when the TRON: Legacy film was in cinemas James created one poster every day, counting down to its release. PJ did the same for his F1 posters and created one poster everyday for three weeks leading up to the 2011 season opener in Australia; he says the quick turnaround time helped keep his mind busy and that “it was fun to find creative solutions in a short space of time.”

TRON: Legacy poster, by James White

 

 

I was pleasantly surprised to learn that the response to PJ’s F1 posters has been “massive.” He originally created the posters just to give him something to do and to learn a bit more about Adobe Illustrator, and he was amazed when various websites started to feature his work. He heard from people as far away as Malaysia and Brazil that were saying: "Hey, check out these posters if you like F1" which was incredible. People liked them so much that he was constantly being asked about selling them, and once he did the orders came in right away. One thing a lot of people told him was that they liked picking up their home country's poster, and they thought it was interesting how the flags and cars interacted with each other. For the 2012 series he focused entirely on the flag portion of the posters, and it seems to have gone down well with people. Regarding promotion; it's all online. Ireland's “a very small place and ever since Jordan Grand Prix left the sport in the previous decade the sport hasn't been as popular over here, compared to soccer, rugby and Gaelic games.”

But it’s not just web-based sales that have helped PJ with his F1 poster series: without social media he wouldn't be where he is today. As mentioned above he’s quite active on Twitter, and he explains that it’s free from the clutter that one finds on Facebook, which makes it easier to “get into.” When he put the original series together he uploaded one picture a day, and by the end of the series people were "tuning in" to see what he would do with the Indian flag, or the Brazilian one, or what Japan's one would look like – “That was a fun experience,” PJ recalls fondly.

Once his F1 poster series launched they got picked up by various Formula 1 and design blogs, and people often linked back to them around the time of each Grand Prix. Speaking of, he created a set of banners incorporating the posters for one of his favorite F1 blogs, F1 Fanatic. That site produces an unofficial race program on the Thursday of each race weekend with links to everything from the TV times to driver interviews, and he'd often see people commenting on the banner as well as the race itself. PJ also post updates to Facebook and has his own personal blog where he shows people what he’s working on, as well as some of the cool stuff he finds online.

"USA" by PJ TierneyWe enjoyed learning more about PJ’s process and inspiration and how F1 has affected him as an artist. We hope you enjoy his work as we have; we believe the F1 poster series will remain a design standard in F1 for some time.

PJ’s 2012 F1 race series posters will launch today at 8AM CST (2PM GMT). The posters can be picked up via his site, www.PJTierney.net or Shop.PJTierney.net. The majority of them come in 2 sizes; A2 (close enough to 18" x 24") and A3 (about half that). You can also follow him on Twitter, Facebook or check out his blog.

PJ wants to thank everyone that’s supported him over the past year: “it means a lot!” He also wishes us the best for a great 2012 US Grand Prix; we hope he can make it across the pond by November for the Inaugural Formula One United States Grand Prix!